The 1975 are a band from Manchester, England, made up of Matty Healy, Adam Hann, Ross MacDonald, and George Daniel. They started playing music together in 2002, when they were teenagers. Since then, they’ve released four albums, won three Brit awards, and gotten two Grammy nominations. Their most recent album, Notes on a Conditional Form, came out in May 2020. In this episode, Matty and George break down how they made the song “The Birthday Party.”
This is an unofficial transcript meant for reference. Accuracy is not guaranteed.
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This episode contains explicit language
the nineteen seventy five are banned from Manchester England.
Matty Healy, Adam Hann, Ross Macdonald and George Daniel
are you playing music together in two thousand to when they were teenagers? Since then they ve
waste for albums one three Brit awards and got into Grammy nominations their most recent album notes on a conditional form came out in May two thousand twenty in this up
Matty and George Breakdown, how they made the song. The birthday party,
name's Matthew, Healy, mine
George Daniel
I guess, I'm prime
I producer, and he is the primary songwriter we've been.
Together, since we were children, so we just
For each other
Song started in allay
I spent a lot of my twenties in L
normally either I'll start. Something on my laptop or Matthew, come to me with an idea and want to record it, but this actually for the birthday by a we were all playing in a room together that was
first time in years that we'd sat down to like work out the range of songs. You don't do that when we are writing songs. Normally there was a productive,
something about you wanted to. Try
The very first thing I had was him playing the guitar and sing on the server. I like
simplicity of form and
sexual ideas bill on top of that,
was it acoustic tab. I had the idea that I wanted to play, see, shape and have the baseline just move around that
and then I call the guys in the room to see what it felt like. I'm pray,
You're have recording on my phone of us kind of figuring out joint jobs,
The Ross was kind of just playing that repetitive baseline,
and I played the drums.
I remember it needed to be really light, like
we were using brushes. We just realized that the harder he played that be it just
more and more void of emotion.
I kind of became
don't be a fool
the way the way in approach. Most of the sounds like to keep them kind of soft. I want
this record to be quite simple of quite pure and its expression,
I knew that the sun was just going to be this.
Thing leaping round again and again and again,
It didn't feel like a big statement. You know like a big reaching statement and it felt like quite humble and and it's kind of sad pace at the way that I wanted to talk, and then I wrote to that
The first thing that you come up with is normally the best the stuff that I want
to leave out is probably the stuff that I should put in
Something comes out and then
edit to preserve my own.
ego. I try not to do that.
I was going through a tough time
Stephanie re evaluating myself and my behaviors and stuff like that, and I kind of lost a few things. I realize
like the first time
becoming out rehab around about that time, and my relations
it was kind of slowly coming to an end.
Everything felt like it was drawing to an end in a kind of natural way, and I think that, like.
You put it into a song and stuff and it becomes romantic and exciting, but all those things just
boring inside and we had eat. You know what I mean you know. I try and
out of the boring sad parts, my life, because it's better than them being boring, says
love
I think
a place, guile
it would seem
This goes some way be seen.
that seems
This song was kind of me, a pie like
we pay is
very conversational, almost light
about a series of conversations that I was telling you that I was literally having
I seen Greg and he was like seeing your friends at the party thing. Kinda fucked up as far as ease and style that day it's like a play about my experiences.
a fictionalized version of reality,
it's kind of about being my age, which is an old and
a teenager and
reflecting on like the nuances of
why it's like being there,
each where some people still emotionally immature. Some people are
moving way further into adult heard than you are
I don't know I'm just
I'm a bit socially
not socially awkward, just not
helpful, four
intimacy with strangers.
insane going well
I stuck in her.
Cincinnati
my favorite part in the song is actually the girls or the
girls can get that lie,
I was going to get girls to sing it. So we made a demo version of it to send to them, which is
It is me and we kind of like fire
the the vocals. Basically,
make your voice sound, like a girl without kind of changing the pit.
And then it was funny and then it was kind of
just the best thing. I've seen the girls and they were like okay. This is a guy myself from MRS Campion. The.
It wasn't until I think the end
I a trip where it kind of stuff.
Coming to life and becoming away more kind of
strange and psychedelic thing.
Like the way that we use the piano arpeggio,
from the op one
teenage engineering sin, and is this
ample of a piano
we just recorded like three octaves, so you just go boom
and then that's all in one sample and then basically, when you play chords, it plays places.
its lumpy, our petty it's free time, because the way the sampler works is the higher the pitch the speed of the sampling different. So you get
completely changing ever evolving, Apache
is imperfect,
and that became like just one of my favorite things. I've made,
we wanted to have all these layers
but also keep quiet, love intimacy, it's full
a like country and western kind of like sounds ready for love like slide guitar.
hmm,
my country music, because I, like its author
tis, a and its aspiration, and it's quite beautiful.
This song like
like a country record going to torture. Just has like a kind of her a trying to
yeah. That was my playing the banjo
the banjo doesn't really sound, like any other instruments really like cuts through, and his party,
and then, if you kind of juxtaposed, the banjo would like
seen this alive. Weirder stuff is very dismayed. It trippy
faster since go to Omnisphere. It was like two sounds: blended
When are they some calendars and I can mediate bucks
Even though we added loud tonight production, it became this really weird trippy think we're tunnel
make the song feel like you're in a room with us playing a song.
People talking kind of is a cool way to place.
space.
It was actually really difficult to finish the song, because there is this whole.
Idea that we weren't serving the song without it going somewhere different vocally at the end and it needed to have like this asp.
They shall chorus. We try to
the things that it was just not what the song was. It didn't have a course in it wasn't moving towards the chorus like that's not
Oh sometimes, you know a chorus
It's just a repeated section in the sun. Just wasn't about repeating itself. Narratively leaves about
kind of never ending stream of consciousness.
you know, sometimes that your instinct is your aunt.
trying to kind of massage into something more palatable. Just you know people
smell a rat in. If you try to give them something that you think that they one so instead of that
The ending is dislike and of big instrumental finale
the
I
The best friend and
I'm player John Worth
and he did the brass arrangements for the other brass players.
The main thing, like I said, was to recruit things played
softly, but I didn't
they apply to the sacks, because you wanted that to be kind of strange.
play aggressive.
I
my friend
stay clean.
Bad as it seems, I
always finished with that line about the friends depend on my friends to stay clean assistance,
sideline, isn't it I said like that's not where it's going to end. You know
that was always like the placeholder end
and then we just realized after world that it was the end.
on my friend
stay
sad as it seems
the sad scene, but it's like the ending to the graduate. You know I mean it's like
there is no ending
I've, doesn't work like that and now
there's the birthday party by the nineteen. Seventy five in its entirety,
the.
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Transcript generated on 2022-03-27.