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2010-09-23 | 🔗

In the beginning, former AIA-SF president Henrik Bull and the Transamerica Pyramid did not get along. The building was an affront to late 1960’s modernist ideals. It was silly. It looked like a dunce cap. Its large scale had no … Continue reading →

This is an unofficial transcript meant for reference. Accuracy is not guaranteed.
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Fifty feet it said this is not the best view of the building. In the beginning, Henrik, bull and the Trans Merrick, a pyramid did not get along in the San Francisco ay. I opposed it. Construction buildings should make sense. There's nothing about this building that makes sense sort of a silly design. Dunce cap, we thought the pyramid shaped was nothing but a less cod advertising simple. The top third of it is just playing air in the ear of modern architecture, building a couple of hundred feet of simple, just not considered proper or immoral. In an article in late, two thousand nine San Francisco Chronicle urban design. Writer John King summarised several of the contemporary criticisms of the transmission.
Pyramids proposed design and in San Francisco be no less reprehensible than destroying the Grand Canyon and inhuman creation. Second class worlds: fair space, Neil Venison women, John Burn, said the pyramid would reap the skyline. It seemed to violate the whole purpose of zoning and urban planning. Israeli buildings were no more than three stories tall. This was definitely not the vision of that neighbourhood, but over the course of forty years something happened Some people have never lost their hatred for the transmission of the pyramid, but others like Henrik Balls in the air. I San Francisco, who recently voted at one of the top commercial buildings in the city and then a complete one. Eighty in it all seems depend
Your stand could almost say the further you get away from it, the better it looks to be served nasty. It's only little nasty funny and true when the building was completed, many of us who had opposed it realised that others, this servant need building in the sky. Allied, especially as a silhouette. Sons going down is really quite graceful. The taller building sense really are pretty dough and I know it wasn't going. I don't remember any discussion of what it's going to look like looking down Columbus Avenue, Columbus Avenue is a diagnosed read and a broad street in the Transamerica building is right. At the end, I don't know if you know the term of vanishing point in perspective.
Bidding goes diagonals to a point and in a way he tilt that vanishing point up vertically and there's the press. America building it chest is a big surprise and had that been a conventional modern building of the time it would have been a tragedy really says when my favorite buildings not close up how it meets the ground, I dont think ever really got solved. The triangle shapes and the columns are awkward and if you look up at the building from below the spacing of the windows ass to be pretty weird to accommodate them,. Pyramid shaped, but still so a complete. When eighty, I think, that's really impressive. I think that shows strength of character. On your part, I had this conversation with John King. That's the aforementioned San Francisco political architecture, credit whose article on this should really go right and he was quite surprised.
Said we didn't understand the problem and we were wrong and said cash. I don't think I remember, and architects say that before her Ninety nine percent invisible is produced by me, roman Mars, but support from the lunar. It's a project of K. L W the American Institute of Architects, San Francisco in the center for architecture and design find out more nine percent invisible dot. Org
Transcript generated on 2020-02-15.